It is great to see American museums, national heritage organisations and professional organisations mount a resistance against the divisive and dangerous policies of the new Trump Administration. And it is great that museums and heritage professionals as well as institutions elsewhere discuss these same issues and show solidarity.
However, we must ensure that for those of us outside the United States this doesn’t become mere tokenism. Trump’s immigration ban mustn’t become another Lampedusa Cross. It is all too easy to make grand gestures across the ocean while ignoring what is happening in front of our own gates. And many museums are still ignoring what is happening in their own countries. The very public outcry against another country’s issues makes the silence against our own issues that much more damaging. We must take this opportunity not only to show solidarity, but to take a hard look at ourselves.
Take this example : A briefing published after the EU referendum in June last year was the first time I am aware of that the British Museums Association (MA) even acknowledged the damaging tone of the debate. Their condemnation of it, if you can even call it that, was tame at best. They wrote, ‘we are concerned that the tone of the referendum debate has made many museum workers, volunteers and visitors from ethnic minorities and/or other European countries feel unwelcome in the UK. This is not the tone that we want to set for a diverse and vibrant culutral sector..’ (p.1). Then, on 1 February, a full seven months after the referendum, the MA’s website editor via Twitter invited EU nationals working in British museums and worried about Brexit to email him, giving the first official acknowledgement by the MA that Brexit concerns more than funding for museums .
Some of you may not be aware of the personal impact of the decision for Brexit on people in Britain who are from the EU. Have a read here and you will realise that it very much is similar to some of the stories that we have all heard about Trump’s immigration ban. And that is why in my view, the questions the MA should be asking are not, ‘What can/should museums do re immigration ban? Time to take a stand?’ [the MA’s Director on Twitter, 29 January, see also note 3], but rather: Why hasn’t the MA issued a statement yet to condemn the British Government’s use of EU nationals as bargaining chips? Why did the MA not issue a statement during the divisive EU referendum debate to make clear it didn’t support its tone? Why was there no statement about the equally divisive policies in Britain that targeted Muslims and immigrants?
I am fully aware that ‘taking a stand’ isn’t as easy as it sounds for museums on their home turf. At the beginning of the year there was a brief moment when Germany seemed on the brink of making the utterly unacceptable term ‘Nafris’ commonplace, and a comment in our local newspaper was part of that. But I didn’t say a public word about it, and I didn’t insist that our museums communicate that labels of any kind had no place in our buildings and that we simply welcomed ‘people’ . I was too worried, too insecure still in my role. But I am aware that in doing so, I failed. Simple as that.
My point is that we must keep looking critically at our actions at home. We cannot hide behind gestures that are aimed rather far away from our own spheres of influence. These actions do count, yes, for in a globalised and interconnected world what happens in one place has impact elsewhere, and what is seen elsewhere is seen in our neighbourhoods too. However, these actions become hypocrisy if they are not matched by our actions on our doorsteps.
I wonder what the MA will do with the feedback it now, finally, is soliciting from EU nationals in Britain. I live in anticipation of a strongly worded statement in their support. They deserve it.
 I don’t mean to keep targeting the UK Museums Association. It’s just that I’ve spent the better part of my professional career, and an important part of my personal life, in Britain. I’m beginning to slowly extract myself from there, but it’s a long process. And of course, I’m still affected by what happened in the lead up to and because of the referendum. If that hadn’t played out the way it was allowed to, I may still be home in Britain. You have to forgive a woman for being bitter about that.
 In the December 2016 issue of the Museums Journal, an article on the impact of Brexit on Northern Ireland focuses yet again first on funding, and then cross-border tourism and collaboration with the Republic of Ireland. “Brexit could be a severe blow for arts in Northern Ireland.” P 12/13.
 It is possible that she aimed her question only at American museums. But I believe that what we ask of others, we must ask of ourselves as well.
 ‘Nafris’ was applied to young, aggressive men of North-African descent travelling in large groups. I do not question the necessity in situations like German New Years eve parties to use some kind of profiling based on empirical evidence – anything else would be stupid. And internally, when things must move quickly, label these groups by whatever name you think you must. But.do.not.use.it.in.public. Then it becomes a label and a stigma applied to all people who match one or more of those criteria: North-African, young, man. And that’s when it becomes inacceptable and divisive. I’m surprised we even had to have the discussion, brief as it may have been.