As regular readers of this blog will know, it is my very firm belief that in heritage interpretation we must strive to tell a balanced story. This concept is also known as ‘multivocality’: presenting multiple perspectives on something. When I discussed multivocality in interpretation with my peers in the past, I have sometimes been accused … Continue reading Facts and Multivocality: An Oxymoron?
Author: Nicole Deufel
#MeTwo: The “Ferguson” moment for German Museums?
#MeTwo was launched on 24th July in Germany, two days after Mesut Özil had announced his retirement from the German National Football Team due to racism. I am wondering if this could be the Ferguson moment for German museums. Why Ferguson? Because Ferguson kicked something loose. On one hand, it shone a light on continued … Continue reading #MeTwo: The “Ferguson” moment for German Museums?
Is positioning incompatible with agonistic interpretation?
Whenever I have presented on my vision for agonistic interpretation, that is, interpretation that strives to include all relevant views on a heritage aspect, there was at least one person in the room who challenged me: was I really proposing to include all views? Even those that are “objectionable”? What I have never once been … Continue reading Is positioning incompatible with agonistic interpretation?
Changing Museums: The Role of Funders and Decision-Makers
Since starting work in the museums sector in Germany, I have gained a new appreciation for the positive role funders and political decision-makers can and do make in the effort to change museums into meaningful social agents. They can be and regularly are valuable allies. So, although I share most museum professionals’ unease about the … Continue reading Changing Museums: The Role of Funders and Decision-Makers
The Promised Land, Or: (Re-)Considering Museums Practice for Refugees and Migrants
I am fortunate to be part of a cross-sectoral knowledge exchange project at the moment which looks at practices for working with new arrivals and minority populations [1]. We are five partners in total: two theatre companies (one from Britain, one from Italy), a business consultancy based in France, a university in Turkey and the … Continue reading The Promised Land, Or: (Re-)Considering Museums Practice for Refugees and Migrants
Heritage as Orientation
Some years ago I read the US American National Historic Preservation Act of 1966 (amended 2000). In it, it states that ‘the historical and cultural foundations of the Nation should be preserved as a living part of our community life and development in order to give a sense of orientation to the American people’ (my … Continue reading Heritage as Orientation
Approaching Interpretive Planning Agonistically
At work, we are getting ready for a major redevelopment of our local history museum. It is a good opportunity to think more about what an agonistic approach to interpretive planning might entail. Most of it is not revolutionary; in one way or another much of this has been or is being discussed if not … Continue reading Approaching Interpretive Planning Agonistically
Tackling Our (Racist?) Biases
I have recently read Fatima El-Tayeb’s book Undeutsch ('Un-German') [1]. As the book’s subtitle explains, the book looks at the construction of the Other in a post-migrant society [2]. The society in question is Germany, so I was particularly interested in this perspective on the country I have recently returned to. I was … Continue reading Tackling Our (Racist?) Biases
A Letter to IE Colleagues at the Scotland Conference
I would normally consider it my duty and responsibility to attend the Interpret Europe (IE) conference in Scotland taking place from 3 to 6 October [1]. Since I will not be there, I want to explain my decision in this post [2]. I disagree with the decision to hold IE’s first annual conference after … Continue reading A Letter to IE Colleagues at the Scotland Conference
Winnetou & I, Or: A Special Kind of German Heritage
Karl May and his creation, the fictional Apache chieftain Winnetou, make a great example of heritage that is built on appropriated selections of the past, not necessarily one’s own and not necessarily historically accurate either, for a purpose that is far removed from the original source. It is an example of heritage as emotional, social … Continue reading Winnetou & I, Or: A Special Kind of German Heritage